Still More Theater Saturday- Our Sinatra

We received complimentary tickets to Our Sinatra for review purposes. Any and all opinions expressed here are our own.

What: Our Sinatra 

Where: Marjorie S. Deane Little Theatre 

             10 W. 46th St.

             New York, NY

Who: All ages

When: Through November 29. 2026

Our Sinatra is a review of songs made famous by the legendary performer. Yet, some of his most popular songs aren't in the show, or they are crammed into an intensely packed medley near the end that moves so quickly from one song to another that it is hard to keep track of what is being sung. The show does, however, include some of his best-loved songs like "One for My Baby (and One More for the Road)" and two versions of "New York, New York" (one from the musical On the Town and one from the Liza Minelli/Robert De Niro movie). The latter song has become the unofficial anthem of New York City, particularly Sinatra's version. The show also includes several lesser-known songs from Sinatra's repertoire. 

The three-member cast consists of Erick Comstock, who is also the musical director; Christopher Gines; & Hilary Kole. The two men are reminiscent of Sinatra in that they are more crooners than singers. Their voices aren't beautiful, but they can get a song across. Hilary has the nicest voice of the trio. Her skillful scatting is a highlight.

With very little movement or choreography, the show is more like a cabaret than a revue. If you are looking for more than a trio of performers mostly standing (or sitting) around on a stage and singing, you might not enjoy it, but if you're mostly interested in the music itself, you may find it more enjoyable. 

And that's our view. For more about Our Sinatra or to purchase tickets, visit oursinatra.com

Tune in tomorrow for this week's Sunday Scoop.

Photo credits:

All Our Sinatra production photos by Russ Rowland

All images used in this post were sent by publicists, artists, and/or  PR firms and are used with permission. Address concerns regarding image usage here.

Theater Thursday: Going Bacharach: The Songs of an Icon

The following is a repost of a post originally published during the initial run of Going Bacharach: Songs of an Icon at the Marjorie S. Deane Little Theatre last Winter. Previously, we received complimentary tickets for review purposes, as we have now. We have edited and updated this post as necessary to reflect the current production. All opinions expressed here are our own. 

 What: Going Bacharach: The Songs of an Icon

Where: Marjorie S. Deane Little Theatre

             10 W. 64th St.

              New York,  NY

Who: Recommended for Ages 8 and Older

When: Through November 29, 2026

Burt Bacharach songs are irresistibly catchy. They all sound so simple and easy to sing. Yet, when you look closely at their structure, they are often quite surprisingly complex. Bacharach was a songwriter whose career spanned numerous genres, including general pop songs, songs written for movies or Broadway shows, and more. 

Going Bacharach: The Songs of an Icon is a new musical that covers the iconic composer's songs. The show is more of a revue than a traditional book musical. This format allows packing as many of his songs as possible into the approximately 2-hour run time, something any true Bacharach lover should appreciate. 

Even so, with such a prolific catalogue, many of his beloved songs didn't make the cut, although quite a few popular favorites appear. "Close to You," "Walk on By", and a medley of songs from the stage musical Promises, Promises are just a small sampling of songs included. A few more favorites are jammed in with a medley toward the tail end of the show. 

Cast member John Pagano spent many years as a vocalist touring with Burt Bacharach himself. He is joined by the lovely-voiced pair of Hilary Kole and Meecah. John and Hilary are seasoned concert and cabaret performers; Meecah is a star-on-the-rise who clearly inherited her musical talent from her father, a founding member of The Commodores. 

Musical director Adrian Galante also sings in addition to playing piano and clarinet. He is an extremely talented and intensely passionate performer and musician. Several other performers may appear on certain dates, but they aren't credited as understudies, as all cast members receive equal billing.

The performers take turns singing solos and duets. There is also an occasional trio. The four, including musical director Galante, also share tidbits about Bacharach's career and particular songs throughout the show. 

If you can't get enough of Burt Bacharach's songs, you'll love this show.  If you are unfamiliar with his music, check out his catalogue, and you may be surprised by how many Bacharach songs you actually know and love. 

And that's our view. For more about Going Bacharach: The Songs of an Icon, or to purchase tickets, visit goingbacharach.com.

Tune in Saturday for Still More Theater Saturday.

Photo credits: 

All Going Bacharach: The Songs of an Icon production photos by Russ Rowland

Images used in this post were sent by publicists, artists, and/or  PR firms and are used by permission.  Address any concerns regarding image usage here.

Where-To-Go Wednesday - Women Making Theater in New York City

We received complimentary tickets to the New York Historical for review purposes. All opinions expressed here are our own. 

What: Women Making Theater in New York City

Where: New York Historical

             170 Central Park W.

              New York, NY

Who: All ages

When: Through October 30, 2026

The current exhibit at the New York Historical, Women Making Theater in New York City, is divided into two sections. The first highlights pioneering women who were involved in theater long before it became socially acceptable. These include performers like Charlotte Saunders Cushman and Maude Adams; lyricist Rida Johnson Young; and Anita Bush. The latter was not only a woman but a Black woman who actually started her own theater company. 

The second section of the exhibit explores the surge of experimental theater that occurred in the 1960s.  and women's contributions to it. It covers the beginnings of La MaMa, a theater that is still very active today, as well as other female-centric groups of the time. These included a group calling themselves the Five Lesbian Brothers, which included Lisa Kron, who later won two Tony Awards for Best Book and Score for the musical Fun Home, and Spiderwoman Theater Company, the oldest continuously running women's theater group in the U.S. 

The exhibit includes posters, photographs, costumes, and more.  Items on display even includes the rental receipt for the original La Mama Theatre space. It's a small but informative exhibit that any true theater history fan won't want to miss. 

For more about Women Making Theater in New York City, the New York City Historical in general, or to purchase tickets to visit the museum, go to www.nyhistory.org/exhibitions/women-making-theatre-in-new-york-city

Tune in tomorrow for Theater Thursday.

All pictures used in this post are our own.   Address any concerns regarding image usage here.