I started this blog with one daughter, kept it up with the other, to spend time together doing something we enjoyed.
However, things change and people evolve. My daughters are older, busier, and not as interested in writing.
From now on this blog will be mostly mom with occasional contributions from my daughters and maybe even my husband.
Nothing else will change. We'll still focus on sharing fun places to go, fun things to do, and more, and we would  still love to hear your views too

Saturday, June 6, 2026

Still More Theater Saturday - Gunfight at the Not-So-Okay Saloon

We received complimentary tickets to Gunfight at the Not-So-Okay Saloon for review purposes. Any and all opinions expressed here are our own.

What: Gun Fight at the Not-So-Okay Saloon 

Where: American Theatre of Actors
             John Cullum Theatre 
             314 W. 54th St.

Who: Recommended for Ages 12 and Up

When: This event occurred from May 15 through May 17, 2026.


The plot of the recent musical Gunfight at the Not-So-Okay Saloon is fairly standard. A boy and a girl grow up together and fall in love; they are separated, then reunited. It is the music that makes this show unique. It is not so much the songs themselves. They are not especially memorable. It is the way the songs are written and performed in the style of a Gilbert and Sullivan operetta that gives the show a unique and amusing twist. There may have been opera Westerns before, but there definitely hasn't been one like this. 

The show is the brainchild of Brooke DeRosa. Not only did the multitalented Ms. De Rosa write both the music and the lyrics, but she also co-directed the show and brilliantly portrayed the beleaguered but feisty heroine, Hope. Her voice was quite lovely as well, and hers was not the only beautiful one, although not all of the singing voices were equally as pleasant.

The entire show was all very tongue-in-cheek. The performers were clearly having a delightful time, and their joyful spirit was contagious, so the audience did too. It was just an all-around fun time for all. 

And that's our view. To learn more about Trial Run productions and to find out about any upcoming productions, go to www.trialrunproductions.com. We will be discussing their other recent show, Does Not Compute, in next week's Still More Theater Saturday post.

Thursday, June 4, 2026

Theater Thursday - Heated Rivalry: The Unauthorized Musical Parody

We received complimentary tickets to Heated Rivalry: The Unauthorized Parody Musical for review purposes. Any and all opinions expressed here are our own.


What: Heated Rivalry, the Unauthorized Parody Musical

Where: The Club 
               530 W. 27th St.
               New York, NY

Who: Recommended for Ages 13 and Up

When: Through September 7, 2026


Me -  I have been a huge fan of Heated Rivalry since I first discovered the book in 2023. The Crave TV adaptation quickly became one of my favorite shows of all time, so when I found out there was going to be a musical parody, I was simultaneously elated and terrified. In my experience, it can be difficult for parodies to walk the line between making fun of and paying humorous homage to the source material.

 

To my relief and excitement, Heated Rivalry, the Unauthorized Musical Parody, never crossed into mocking territory. However, many aspects weren't the most accurate to the original story. Obviously, no parody will perfectly represent its source. That said, in my opinion, the humor in the best parodies comes from exaggerating the quirks and idiosyncrasies that are already there rather than creating complete caricatures. 


Unfortunately, the latter sometimes felt like the case in this show. This was especially true regarding the characters. Rather than depicting their intricacies or complexities, this parody chose one random trait for each character and erased everything else about them. For some of the characters, it wasn't even a trait that they exhibited in the source material.


For instance, the official version of Shane Hollander is known to be the more stoic and reserved of the two main characters. He is a man of few words and expressions, and he typically speaks in a monotone voice. In the parody, he was portrayed as having a childlike innocence and naivety. He was also extremely bubbly, perky, and excitable with an almost constant goofy smile. 


While the parody's portrayal of Ilya Rozanov was closer to the official version, it still lacked any nuance. The official version was very grumpy and emotionally repressed, but he was also cocky, outspoken, and playful, among other things. On the other hand, in the parody, he was very one-dimensional. He was portrayed as practically emotionless and completely expressionless. Though I won't get into details, many of the side characters were misrepresented as well.


One of my biggest issues with this production was the way they trivialized Ilya's trauma by objectifying Connor Storrie, the actor who portrays him in the series. Since the release and subsequent popularity of the TV show, the internet hasn't stopped talking about Storrie's body. While most of the comments are meant to be complimentary, and I can understand the desire to capitalize on a joke that would be widely understood by the fan base, I personally believe that it's inappropriate and disrespectful to take a real human being's body and turn it into a subject of satire. Not only did they sing an entire song about how big Ilya's butt was, but they also erased the very real reasons behind his childhood trauma, instead explaining that it stemmed from getting bullied by peers throughout his childhood for the size of his butt. It's one thing to miss the nuances of a character, but it's entirely different to replace their very real trauma with a joke that objectifies the actor who plays the role.


Outside of that, the show managed to be mostly enjoyable. Despite all the mischaracterizations, there were still a decent amount of jokes that were funny because they drew from the original source material. There were also some jokes and running gags that made me laugh, even though they weren't consistent with the TV show. Additionally, the cast was very talented. I particularly enjoyed the performance of  Ryann Redmond. Other than the aforementioned issues, the show was humorous and amusing, albeit largely inaccurate. However, I found it difficult to look past what I felt was a very insensitive way to handle the topic of Ilya's trauma and the disrespectful exaggeration of an actor's real body. 


Mom - Even if you are not familiar with the book or TV show, Heated Rivalry, you can still enjoy the unauthorized parody musical, perhaps even more so in some ways, as you don't have to worry about authenticity. For the most part, the show is amusing and quite over-the-top, as are the performances.


The show can definitely be too much at times, however. There is also quite a lot of humor derived from making fun of a character's body part. This is not okay, especially when it is clearly based on a real person, namely, the actor behind the character in the TV show, and not on the character in the original book. Either way, it really wouldn't be okay anyway.


Much of the show's humor is quite risque, which may offend some people or, at the very least, make them uncomfortable. This also makes the show extremely inappropriate for children, although it is recommended for 13 and up, it is probably more suitable for older teens at best. If you are of appropriate age and you enjoy this type of humor, this show is definitely for you. 


And that's our view. For more information about Heated Rivalry: The Unauthorized Musical Parody, or to purchase tickets, visit  www.heatedrivalryparody.com.

Tune in Saturday for Still More Theater Saturday.

Photo credits:
All Heated Rivalry: The Unauthorized Musical Parody production photos by Matthew Murphy

Images used in this post were sent by publicists, artists, and/or  PR firms and are used by permission.  Any Concerns regarding image usage can be addressed here.

Wednesday, June 3, 2026

Where-To-Go Wednesday - Raising Equality

We received complimentary tickets to the New York Historical for review purposes. Any and all opinions expressed here are our own.

 What: Raising Equality
           
Where: New York Historical
             177 Central Park. W.
             at Richard Gilder Way (77th St.)
             New York, NY

Who: All ages

When: Through September 25, 2026



Raising Equality is an exhibit that focuses on Billie Jean King's childhood and how it shaped her life, career and future advocacy. King (born Billy Jean Moffit) was raised alongside her younger brother, Randy. Rather than treating Billie Jean differently because she was a girl, her parents treated both children equally and encouraged both to be equally competitive and athletic. As a result, both excelled at sports, and not only did Billie Jean become one of the greatest Tennis players of all time, but her brother was a professional baseball player for a time (although he did not reach anywhere near the level of achievement in his sport that she reached in hers). 



The contrast between the way she was treated in the professional Tennis Circuit and the way she had been raised spurred King's well-known advocacy for Women in sports and in life.  Along with background information on King's upbringing, the exhibit includes pictures, one of Billie Jean's tennis rackets, one of her brother's baseball cards, and more.



And that's our view. For more about the New York Historical or to purchase tickets to visit, go to www.nyhistory.org

Tune in tomorrow for Theater Thursday.

All pictures used in this post are our own.  Any concerns regarding image usage can be addressed here.